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User's Guide Fireface UCX © RME

34. Audio Routing and Processing

In Class Compliant mode, the UCX features operation very similar to normal operation with

TotalMix FX, with two major differences:

¾ There is no second TotalMix row (no software playback channels), hence no individual

routing or mixing of playback channels. These will always be connected either straight to the

physical outputs (CA), or have an additional signal copy from 1/2 to 7/8 and SPDIF/ADAT

(C8), making the headphone output usable even in stereo mode.

¾ The input effects EQ/Dyn will always be active in the recording path

Therefore the UCX is also a very powerful tool in CC mode, and can even be pre-configured via

TotalMix FX under Windows/Mac. Apart from the current configuration, which will be preserved,

the possibility of saving up to 6 configurations in the setup memory is very useful, allowing for a

quick reconfiguration.

The input signal will pass through all activated functions of the TM FX input channel, namely

settings, EQ, and Dynamics, and is then sent to the iPhone/iPad. Like under Windows and Mac,

the input fader controls direct monitoring to outputs 1/2 and 7/8. The FX send control for

echo/reverb is also active.

As in normal TotalMix FX use, the options Stereo Width, MS Proc and Phase L/R are NOT

within the recording path, but in the monitor path. This is technically determined and can not

be changed.

The iPhone/iPad output signal passes through all activated functions of the TM FX hardware

outputs, namely settings, EQ, and dynamics. The third row’s fader sets the output level.

Control Room Section settings are inactive. Configuring the Phones output is done by

output channel 7/8.

With the mirroring of signals to SPDIF and ADAT outputs in C8 mode, the UCX features two

simultaneously usable digital outputs, with independent processing (volume, EQ, Dyn, FX Re-

turn), even when using standard 2-channel apps.

35. Setups

TotalMix FX can transfer all current settings to the device (Options/Store Current State into

Device). There are six memory slots (Setups) available. An example:

¾ Inputs with no processing, gain set to +30 dB and phantom power active. Outputs without

processing, faders for 1/2 set to 0 dB, 7/8 at – 20 dB, clock mode master, saved in Setup 1.

¾ Inputs with Compressor, Factory Preset Mix Limiter (digital overload protection), gain set to

+30 dB, no phantom power, outputs 1/2 with EQ (factory preset Modern Bass Treble),

outputs 7/8 with EQ (factory preset Cheap Phones Compensation), faders for 1/2 at 0 dB,

7/8 at -20dB, clock mode AutoSync, saved in Setup 2.

In CC mode, the encoder in the SU - Level menu can switch between setups 1 and 2 at any

time, alternating between entirely different configurations. Further examples would be activating

reverb/echo, or temporary monitoring of the input signal. Very comfortable is the use of the Ad-

vanced Remote, as in CC mode its 6 upper buttons steer the Setups 1 to 6 directly

On the iPad the optional app TotalMix FX for iPad gives full control of all functions and parame-

ters in real-time and with full overview, similar to working under Windows and Mac.

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RME Audio Advanced Remote Control Guide de l'utilisateur Page 95